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NaNoWriMo Tip #15: Write Your Scene By Scene Outline

Lindsey playing Liz. A scene about a scene.

These are my personal tips for NaNoWriMo. You know the drill. Take only what works.

Another outline? Seriously?

Yes, my friends. Yes. Another outline. Feel free to call it a Pre-Rough Draft if it makes you feel better.

This time it’s digital.

That’s right, time to type your outline into you computer. Refer to whatever previous outlines/cards/D&D character sheets you’ve filled out so far. This outline should show act, chapter and scene. It goes in order of your book (so, all the onstage scenes) and its more detailed than the previous outlines.

Your Scene Outline is like your flight plan. Once you have it in place, to a final check-off list to make sure your plane will lift off the ground:

1. If you can, this is a good time to gauge your final wordcount. You’ll the number of chapters, and the number of soldiers in each chapter. You’ll want to make sure you’re on target for a word count appropriate for your genre.

2. Check that you know the time and location of each scene, who will be in it, and whose PoV its from. Make sure no subplots or supporting characters have been left offstage inexplicably. Your protagonist should not be overshadowed by another character. Also scan the action and reaction scenes and make sure your protagonist is driving the action, not just responding to the actions of others.

3. If your word count is on the low side, supporting characters have been shunted aside, or worst of all, you protagonist is passive or not onstage often enough, you’ll have to add. If your word count is too high, you’ll have to cut. (I’ll have suggestions about how to do that further on.)

4. Look for gaping plot holes. You’d think it would be impossible to get through three or four kinds of outline and miss a gaping plot hole. It’s not.

5. Make the sure that overall, the book has rising tension. Did you accidently squander all your Monster Attacks in the beginning? Do you have five more chapters after the climax? Fix stuff like that.

If you prefer these Tips as an ebook you can buy it here for $0.99:

 

Update on #NaNoWriMo: Test Scenes to Gauge Your Outline

I’m still outlining, but I also hammered out a (possible) Chapter One of my NaNoWriMo WiP, October Knight. I used seed scenes as chapter fodder and my outline to show me what I needed to foreshadow, and created a scene story arc. I wrote it to a high degree of polish. Then I stopped.

I did this for three reasons:

1. To see how long the outline would “write out.” 

I was aiming for about 30 chapters of 2400 words each, but my first chapter turned out to be 4500 words. Oops. Not surprising, since I tend to write long chapters. I thought it might be different this time,  in First Person, with no other PoV characters, but I guess not.

So, unless I want this book to be 180,000 words (uhm, no), I’m cutting the number of chapters down. Twelve is a nice divisible number, with magical implications, and fits my theme of Knights for each month the Year.

2. To test Tone and Voice.

The problem with outlining is that it doesn’t tell you how the tone and Voice are working, and yet these are crucial for making the events in the book work. So even with an Outline First approach, I think it’s critical to see, Hey, can I actually pull this off in the execution stage? Is this headed where I think it’s headed?

My Chapter One turned out quite a bit darker than I had anticipated. My hero Brandon, it seems, is a runaway, who lives with a two junkie dropouts and a couple junkie ghosts in a haunted crack house, while he struggles to stay in high school, hold a full time job (swing shift) and avoid being hunted down and killed by his demonic Stepdad. I knew this from the outline but for some reason when I see how it plays out, I realize introducing heroin addiction in chapter one is going to add some Heavy into the book. On the other hand, I like the chapter. On the third hand, of course I like the chapter, I wrote it.  that doesn’t mean it’s good for the book.

3. To See What the Story Promises Are

The key to good outlining, however, is to remain open to new ideas and new brainstorming. Instead of forcing my chapter to fit my outline, I want to ask what story this chapter (if I like it) is promising and then revisit the outline to see it will deliver. If I introduce addition as an issue, I have to deal with it later on in the book too. Am I willing to do that, or have I exhausted my interest with this one chapter? (Possibly.) If so, I can leave the chapter as “backstory” and start the book later. I can still refer to the hero’s troubled “home” life (demonic stepdad, haunted crackhouse) but place less focus on it.

Now it’s back to my Sticky Note Outline. I’m going to take out half the pages in my three-ring binder. I have to toss some stickies and add new ones. I think I might also switch from a Three Act to Four Act structure. Same thing, just one extra commercial break. 😉