{"id":998,"date":"2009-01-09T20:36:00","date_gmt":"2009-01-09T20:36:00","guid":{"rendered":"http:\/\/bestfantasynovel.com\/2009\/01\/09\/beautiful-thinking\/"},"modified":"2009-01-09T20:36:00","modified_gmt":"2009-01-09T20:36:00","slug":"beautiful-thinking","status":"publish","type":"post","link":"https:\/\/taramayastales.com\/bestfantasynovel\/2009\/01\/09\/beautiful-thinking\/","title":{"rendered":"Beautiful Thinking"},"content":{"rendered":"<p>My loved ones all know to gift me with books, and I have many delicious new ones.<\/p>\n<p>One is called &#8220;Eunoia.&#8221; It means &#8220;Beautiful Thinking.&#8221; It&#8217;s neither fiction nor nonfiction. Here&#8217;s a taste, in which the book explains itself:<\/p>\n<blockquote><p>Enfettered, these sentences repress free speech. These sentences repress free speech. The text deletes selected letters. We see the revered exegete reject metred verse: the sestet, the tercet &#8212; even <i>les scenes elevees en grec.<\/i> He rebels. He sets new precedents. He lets cleverness exceed decent levels. He eschews the esteemed genres, the expected themes &#8212; even <i>les belles lettres en vers.<\/i> He prefers the perverse French esthetes: Verne, Peret, Genet, Perec &#8212; hence, he pens fervent screeds, then enteres the street, where he sells these letterpress newsletters, three cents per sheet. He engenders perfect newness wherever we need fresh terms.<\/p><\/blockquote>\n<p>It sounds a bit <i>odd<\/i> doesn&#8217;t it? The only vowel used in the paragraph above is the letter &#8220;e&#8221;. <i>Eunoia<\/i> is the shortest word in the English language which uses all five letters. The book has five chapters, A, E, I, O and U, and in each chapter, only one vowel is permitted. It reads quite strangely, but it&#8217;s a wonderful book for a writer to read, because it forces you to reflect deeply on words, their sounds and relationships and meanings. Also, it&#8217;s a wicked ass vocabulary builder.<\/p>\n<blockquote><p><i>Eunoia<\/i> is a univocal lipogram, in which each chapter restricts itself to the use of a single vowel. <i>Eunoia<\/i> is directly inspired by the exploits of Oulipo (<i>l&#8217;Ouvroir de Litterature Potentielle<\/i>) &#8212; the avant-garde coterie renowned for its literar experimentation with extreme formalistic constraints&#8230;. <\/p>\n<p><i>Eunoia<\/i> abides by many subsidiary rules. All chapters must allude to the art of writing. All chapters must describe a culinary banquet, a prurient debauch, a pastoral tableau and a nautical voyage. All sentences accent internal rhyme thrrough the use of syntactical parallelism. The text must exhaust the lexicon for each vowel, citing at least 98% of the available repertoire&#8230; [and] must minimize repetition of substantive vocabulary (so that, ideally, no word appears more than once). The letter Y is suppressed.<\/p><\/blockquote>\n<p>It makes more sense once one realizes that <i>Eunoia<\/i> is more poetry than prose. Twentieth Century poetry freed poets from all contraints of &#8220;the sestet, the tercet&#8221; and all metred verse, but this anarchy proved deadly to beauty and creativity. So the poets re-imposed rules upon themselves, sometimes queer rules.<\/p>\n<p>Christian Bok spent seven years writing <i>Eunoia<\/i>. I don&#8217;t think I could do that. As much as I enjoy word play, the words remain, for me, stepping stones to stories.<\/p>\n<p>However, I do employ some deliberate contraints on the formal structure of my stories. Not so much at the sentence or word level &#8212; usually in the chaptering. I used to have great difficulty with outlining, and in particular, with restraining my stories from overflowing into excessive length. So I would decide ahead of time how many chapters I wanted, how many words each chapter could take to itself, and I would try to stick by that. I found that having the chapters in front of me, like empty boxes, both helped me to fill and at the same time, not <i>overflow<\/i><\/p>\n<p>Of course, it also makes re-writes a bitch.<\/p>\n<p>The structure of my present epic is quite strict. I have two protaganists, Palem and Jaxel. One is from Demaitria and one from Thedros, two warring nations. They are destined to meet in gladorial combat in a contest which will determine which of their nations shall be ascendent for the next hundred years.<\/p>\n<p>Chapters each begin with an epigram, a salutation to one of the patheneon of story&#8217;s universe. There are 5 sections to each book, with twelve chapters each &#8211; sixty chapters in all. The chapters alternate between the PoV of the two progatanists. Later, when other PoV characters are introduced, they must all appear on either &#8220;Palem&#8217;s Side&#8221; or &#8220;Jaxel&#8217;s Side&#8221;, reflecting the deepening division of the world into two opposing and antagonistic camps. Furthermore, subsidiary characters must go in the right spot, so I can&#8217;t put two members of Palem&#8217;s camp in a row. Each book is allowed to have a Prologue which doesn&#8217;t have to be clearly on one side or the other, or can violate the order of alternating chapters.<\/p>\n<p>This is all very well, but it makes it hard, when I suddenly realize I need to add a scene in between two others, to figure out where the scene should go. The story also needs to move forward in approximately chronological order, so I prefer not to have a Jaxel scene take place in 9991 if the Palem scene following it takes place back in 9987. I had this very problem on my recent revisions. Nonetheless, I have successfully revised Section One, after suffering a bit of writer&#8217;s block over the holiday.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My loved ones all know to gift me with books, and I have many delicious new ones. One is called &#8220;Eunoia.&#8221; It means &#8220;Beautiful Thinking.&#8221; It&#8217;s neither fiction nor nonfiction. Here&#8217;s a taste, in which the book explains itself: Enfettered, these sentences repress free speech. These sentences repress free speech. The text deletes selected letters. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-998","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/taramayastales.com\/bestfantasynovel\/wp-json\/wp\/v2\/posts\/998","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/taramayastales.com\/bestfantasynovel\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/taramayastales.com\/bestfantasynovel\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/taramayastales.com\/bestfantasynovel\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/taramayastales.com\/bestfantasynovel\/wp-json\/wp\/v2\/comments?post=998"}],"version-history":[{"count":0,"href":"https:\/\/taramayastales.com\/bestfantasynovel\/wp-json\/wp\/v2\/posts\/998\/revisions"}],"wp:attachment":[{"href":"https:\/\/taramayastales.com\/bestfantasynovel\/wp-json\/wp\/v2\/media?parent=998"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/taramayastales.com\/bestfantasynovel\/wp-json\/wp\/v2\/categories?post=998"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/taramayastales.com\/bestfantasynovel\/wp-json\/wp\/v2\/tags?post=998"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}