- by Tara Maya
Sacrificing a Scene You Like for a Scene You Need
I just wrote a great scene. I introduced fun new characters, some cool shit for them to blow up, a whole mess of awesome.
It’s gotta go.
Doen’t fit. What I need instead of all my new shiny toys is a quiet word from a entirely different fellow, a much less engaging character, but one who, ultimately, will be more relevant to the theme of the novel.
I know, this is all unduly mysterious. It comes down to this: I have to sacrifice a scene I like for a scene the book needs. I think I finally, finally understand that annoying injunction, “kill your darlings.”
Yeah, yeah. I get it. The darlings are now gutted corpses on the cutting room floor. Are you satisfied, you bloodthirsty Muse?
Has this ever happened to you? What do you do with the chopped scenes? Personally, I hope to resurrect them in some other context.