- by Tara Maya
Writing the Breakout Novel
I’m going light on blogging while I:
A) Catch up on beta reading — which is in itself quite illuminating. So often I’ll catch some problem, say, overwriting, and realize, damn, I do this too.
B) At the same time, I’m using responses from my beta readers and the Donald Maass Writing the Breakout Novel Workbook to edit my Dindi story. (Yes, again. It still has not compelled five agents to scramble over themselves to represent it, so clearly it still needs work.) I’ve read the Maass book by the same name, but never read the workbook before. Has anyone else gone through it?
C) Beyond mere editing, I’m still brainstorming like mad to figure out how to fig-leaf the ginormous plot hole in the middle of my series. This is not even something caught by my beta readers, because they wouldn’t be able to see it until a few more books into the series. But I believe that through the mystical power of the Great Unconscious, they can already sense the Black Plothole sucking all life from the story, even this far away from the event horizon.